There are a couple of sequencial moments that are worth noting, both in mm 11 and 12, and mm 15-18. I will sometimes mark the scale mode the soloist is using if I like how it is used. Log in to Reply I'm actively adding more transcriptions from my archive of literally thousands of songs; if you don't see what you're looking for, chances are I already have it but haven't posted it here yet. We appreciate your help. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Modes In mm. When the soloist plays notes outside of a chord in anticipation of the next chord. There’s some deep insight that I wanted to share. This jazz trumpet solo is so good it’s debatable whether or not Clifford Brown didn’t plan … Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. There are so many great figures for analysis in this solo. He often comments on the state of “jazz.” He claims he does not play “Jazz,” but he plays Black American Music. Payton’s solo fits so gently in to the groove, he’s simply an extension of the rhythm section. I analyzed the solo in the trumpet key (Bb), because that’s what I transcribed with and practice the solo in. Share to Twitter Share to Facebook Share to Pinterest. We'll review to fix it. Clifford nails every chord change as usual. This Jazz trumpet solo of Nicholas Payton starts off nicely on the head with just guitar and trumpet. He gets close a couple of times, develops for about 6 bars, and then finally does resolve down the the A, the 5th of the one chord. That means the F natural on the and of 3 is an F#. In the analysis I marked the first Bb and drew a line to show where it finally resolves. Song's chords E, C, Am, Dm, G, A, ... You are notifying to Yalp's team this transcription has a lot of wrong chords. “Rant” does not accurately portray Payton’s recent blog posts on his website found here: http://nicholaspayton.wordpress.com/. (photo credit: Claus Willemer) Joy Spring, written by Clifford Brown and performed by Tom Harrell. Minor changes going into a nice ii V7 I. This jazz trumpet solo transcription by Clifford Brown is absolutely great. Drummer George Coleman Jr. also chimed in with some great info. Elegy For Williams Burroughs and Alan Ginsberg, Eric Clapton - Eric Clapton (1970) full album transcription (, The Doobie Brothers - The Captain and Me (1973) full album transcription (, Michael Blake - Calypso Minor full arrangement and sax solo, from Elevated (2000) -, Bill Chase - Open Up Wide trumpet solo, from Chase (1971) -, Miles Davis - It's Only A Paper Moon trumpet solo, from Dig (1951) -, Miles Davis - Straight, No Chaser trumpet solo, from Milestones (1958) -, Dave Douglas - Blue Heaven trumpet solo, from Soul On Soul (2000) -, Jon Faddis - Here's That Rainy Day trumpet solo, from Dizzy's Dream Band (1982) -, Freddie Hubbard - I Don't Wanna Lose You trumpet solo, from Bundle Of Joy (1977) -, Freddie Hubbard - The Things We Did Last Summer trumpet solo, from The Hub Of Hubbard (1970) -, Hugh Masekela - Grazing In The Grass trumpet solo, from The Promise Of A Future (1968) -, Lee Morgan - Since I Fell For You trumpet solo, from Candy (1957) -, Lee Morgan - All The Way trumpet solo, from Candy (1957) -, Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) -, Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) -, Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) -, Michael Blake - Calypso Minor full arrangement and tenor sax solo, from Elevated (2000) -, John Coltrane - Blue In Green tenor sax solo, from Kind Of Blue (1959)  -, John Coltrane - Trane's Slo Blues tenor sax solo, from Lush Life (1958) -, Charlie Parker - Moose The Mooch alto sax solo, from The Complete Dial Sessions (2004) -, Chris Potter - The Source tenor sax solo, from Gratitude (2001) -, Joshua Redman - Fait tenor sax melody & solo, from Moodswing (1993) -, Gimme! His dominant chords are almost always altered to hell. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. Posted by Alex at 12:38 AM. Rant, by definition, means to “speak or write in an angry or violent manner.” That’s not fair to Nicholas, and it is not what I was trying to say. Soloists often use Guide Tones as target notes or launch points.They’re all over on the strong beats in Payton’s solo. Mostly what sticks out to me is his sense of feel and time. Link FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! Download the latest version here. Nicholas Payton (born September 26, 1973) is an American trumpet player and multi-instrumentalist. GT = Guide Tone In mm 51 Payton plays the #9, b9, b5, natural 9, all in the same measure. Nicholas Payton on Elvin and Comping: Nick does such a wonderful job of picking an idea and developing it. An example of a Chromatic Approach Tone is when the soloist surrounds the resolution note with half steps. One of my favorite moments is the last 8 bars or so of this solo. I mark Guide Tones (3rds and 7ths) on every big beat (1 & 3). Transcribing, and learning tunes and solos by ear has been how this art was learned since the beginning. A Grammy Award winner, he is from New Orleans, Louisiana. Espresso Jazz Diy » Walkin’ Miles way…. Also, if there's something that you'd like to have transcribed but don't see here, please contact me. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. This was one of my favorite albums in my middle and high-school years, and this track was a special treat; to hear three of my trumpet idles play back to back was inspiring. GTM = Guide Tone Movement Nicholas Payton ‘Creating Culture’ By Marquis Hill with Phillip Lutz Trumpeter Marquis Hill interviews one of his key influences: Payton. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. You also need to have JavaScript enabled in your browser. The groove is this really great double time feel that is real open in the drums and piano. Nicholas Payton - EYE OF THE HURRICANE (Bb) from "Fingerpaintings" Freddie Hubbard - YOU'RE MY EVERYTHING (concert) from "Hub-Tones" Freddie Hubbard - YOU'RE MY EVERYTHING (Bb) from "Hub-Tones" Herbie Hancock - YOU'RE MY EVERYTHING from "Hub-Tones" Coleman Hawkins - BODY AND SOUL from "Body … The groove is what first got me.  Amongst all of the recent gigs Nicholas is playing, he’s also been active on both Twitter and Facebook. Sorry, your blog cannot share posts by email. “rant”) has caused the point of the second paragraph to become somewhat misconstrued. He is also a prolific and provocative writer who comments on a multitude of subjects, including music, race, politics, and life in America. I meant that he has been talking about the state (or non-state) of jazz in a passionate manner. Blue Bossa is a really fun jazz standard to improvise over. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. New Orleans-born trumpeter, keyboardist, singer, and composer Nicholas Payton is a dynamic performer, steeped in acoustic jazz and post-bop, whose music often finds him exploring genres beyond the confines of the jazz tradition.. Born in New Orleans in 1974, Payton grew up the son of Walter Payton, a well-known bassist on the … Please note that some of these transcriptions were completed over 10 years ago, so the quality of the notation and layout varies - although they are all as accurate as possible. If you see anything that needs to be fixed, please let me know. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Still, we come from the same lineage, Nicholas and I. We’ve studied the same players, and sometimes, play the same music, whatever you’d like to call it, or not call it. He brings several motives back during his solo, pulled from the beginning. Listen to Whoopin' Blues by Nicholas Payton, 891 Shazams, featuring on Nicholas Payton Essentials, and Nicholas Payton: Next Steps Apple Music playlists. A couple of flubs in there, but I'll let them stand - the fingering on this one can be a bit tricky. Alterations CAT = Chromatic Approach Tone Grammy Award-winning Nicholas Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social … I got this disc when I was a freshman in college. Blue Bossa is a really fun jazz standard to improvise over. Needless to say, he’s certainly opened the conversation, and it’s one we should all be having anyway. This interpretation is what Jim Cullum and New Orleans jazzman Nicholas Payton have in mind in their performance of this venerable rag, first copyrighted in 1911. Naturally, it frustrates him when some kid (me) writes about his passion and clouds the message with poor vocabulary. Post was not sent - check your email addresses! [amazon asin=B00123KEOQ&template=iframe image] Download the transcription: Concert, Bb, Eb, Bass Clef [audio: High Clip] Ahh, BeBop. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Email This BlogThis! Press Nicholas Payton Biography – 2020 Nicholas Payton Press Photo 1 Nicholas Payton Press Photo 2 Nicholas Payton Press Photo 3 Nicholas Payton Press Photo 4. December 1, ... Kenny Werner, Phil Woods, Clark Terry, Al Jarreau, Michel LeGrand, Nicholas Payton, Brian Blade, as well as Ray Brown, Sonny Fortune, Randy Brecker, Renee Rosnes, Johnny Mathis, Russell Malone, Joey DeFrancesco, and Dee Dee … Drummer George Coleman Jr. also chimed in with some great info. Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. Long before Louis Armstrong came along, the trumpet and New Orleans were intertwined. So there. When The Saints Go Marching In chords by Nicholas Payton. He plays a couple of Bbs, making you think he’ll resolve to the A. It reminds me of what we used to call the “Summerville” sound back in Boston in the late 80s and early 90s. Trumpet giant Louis Armstrong recorded his tongue-in-cheek slow version in 1927. I transcribed this solo a f… Just posted an updated version of the PDF to correct a mistake in the transcription (had two notes reversed in mm 25, 27 and 193, 195). Daahoud is a tough tune to solo over as well. Nicholas Payton - The Backwards Step - trumpet Listen Nick Bisesi Groove Project - Uptown Strut - tenor (Goin' Home) “12th Street Rag“ was a famous Tin Pan Alley hit well before 1920. I really like how it sounded. There are concert, bass clef, and Eb parts in PDF available above. (A Man After Midnight), Everything's Alright (reprise)-I Don't Know How to Love Him, Stu Cook (w/ Creedence Clearwater Revival) -, Tony Levin (w/ Kate Bush & Peter Gabriel) -, Joe Osborn (w/ The Mamas and the Papas) -. For instance, if the soloist plays Ab-F# over a G7 and resolves to G over the CMA7, that is CAT. When the Saints Come Marching In is the 2nd song on Nicholas Payton's 2nd release with Verve Release called "Gumbo Nouveau" Such a soulful solo and has so many tasty lines in it! I mark guide tones only when they are played on big beats, one and three. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. Nicholas Payton on Elvin and Comping: “Here’s the thing: The “Elvin thing” most drummers … I don’t think he would disagree that he’s very passionate about the subject, and has had to account for his words amongst many of his colleagues. Will I ever be able to play you? This site is simply an extension of that. Gimme! Guide tones are thirds and sevenths in every chord. Dexter also uses a lot of pentatonic licks and keeps the solo … If not, I'll be happy to transcribe it for you. Nicholas Payton uses a lot of skips with fourth patterns that sound like he is taking his trumpet solo outside. “Guide Tone Movement” is when the soloist resolves one guide tone to another. Dexter also […] Read the rest of this entry… When the Saints Come Marching In is the 2nd song on That means the F natural on the and of 3 is an F#. There’s some deep insight that I wanted to share. Dean Town Bass Transcription… This month I have for you the Dean Town Bass Transcription.This is an interpretation of Joe Dart’s bass line for the much-loved single. 1-4 he repeats the rhythm while stepping down chromatically each repetition. I will sometimes circle alterations if I like how they are used over a particular chord or passage. From [amazon asin=B000001E4R&text=Brownie: Homage to Clifford Brown&chan=default], releas… In a wide-ranging conversation, the elder trumpeter discusses the music industry, and incorporating his own vocals and keyboard work into concerts and recordings. Today’s post is a short and sweet Ben Webster solo over Duke Ellington’s rhythm changes tune “Cottontail.” Ben uses a fair amount of repetition to develop his ideas through the solo. ... Johnny Smith - What's New Transcription; Simple theme. Should be B natural then C on the and of 3 and on beat 3. All that being said, I am, and many others are still trying to understand (some have just written it off) what Nicholas is saying about this music we all love and have spent our whole lives studying. Payton has gotten quite a bit of hate from friends, colleagues, and followers for his recent rants on jazz, some of them calling him the Charlie Sheen of Jazz. Gimme! Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. GT are often used as foundation, or jumping off points for the soloist to go in to more uncharted territory. It just feels so good! There are some nice jazz licks that can be copied here. Blue Bossa is a really fun jazz standard to improvise over. (over an A7 chord, that is C# and G). Minor changes going into a nice ii V7 I. Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) - Bb Instruments; Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) - Bb Instruments; Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) - C Instruments For local jazz legend Nicholas Payton, the instrument represents the essence of the Crescent City. Nicholas Payton, Roy Hargrove, and Wynton Marsalis’ solos on “The Three Trumpeteers” off of Payton’s 1998 album Payton’s Place". Guest Post by John Raymond: Miles Davis, Walkin’ (4 Versions), Transcription Applications and Techniques. Second, it seems as though my poor choice of words (i.e. Of course, Nicholas is at another level, but I’d like to think I’m on my way. And after hearing Nicholas’ playing on this track I knew I had to one day transcribe it. The first thing I noticed when I took some time to dig in was that they play with a double time feel, so it sounds like the chord changes go by at half speed. Last month, trumpeter and composer Nicholas Payton had the U.S. premiere of his Black American Symphony with the Colorado Springs Philharmonic. Nicholas Payton. Nicholas Payton - The Backward Step Lead Sheet From Into The Blue (2008) The Backward Step Lead Sheet Bb Lead Sheet. FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! Anyways, I guess this site is somewhat of a “old ways meet the new” type thing. For instance, in a ii V7 I in Cmaj, if the sololist moves from the seventh in G7 (F) to the third in CMA7 (E), that is guide tone movement. Minor changes going into a nice ii V7 I. Many of these transcriptions are ones that I've done for myself as part of my own study; others are transcriptions that my clients have generously given me permission to publish here. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. Download the Transcription: Bb, Eb, C, Bass Clef. He says jazz, as we know it, is dead. That is probably why I like this Nicholas Payton trumpet solo. The music he makes is always inspiring to me, and I’ll take in to consideration what he has to say about the state of jazz since, you know…he is the state of jazz. He manipulates the time and feel as good as anyone, and knows just when to utilize the soulful side to his playing. Transcription of Kelly Jefferson’s Solo on Confirmation. Needless to say, I hope you enjoy studying the solo as much as I enjoyed learning it myself. This is not to minimize what the greats in the music did before him, but to build on it. Download the latest version, Nicholas Payton, You Stepped Out of a Dream, Elena Pinderhughes’ Solo on Letter to the Free – From Common Tiny Desk at the White House, Guest Post by Spencer Ritchie: Lewis Nash, Monk’s Dream, Guest Post By Ben DeVries: Roy Hargrove, I’m not so sure, Guest Post by Italo Sales: Wes Montgomery, Four on Six, Joshua Redman, Straight, No Chaser (pt 1). My wife (girlfriend at the time) got it for me, and the first track that stuck out was this one. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. After reading his posts, I feel like I am beginning to “get it,” though I am not sure I could ever really “get it,” since so much of his point of view comes from a Black American perspective, something I could never fully understand. Dexter also […] Read the rest of this entry… Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. 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